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Rolled up newspapers being hit with a (soft wooden) stick are meant to be good for body and face hits. – Paul Arnold, Gordon Hall Hitting real meat, use a baseball bat to hit leather jacket wrapped around baseball gloves, add breaking of chicken bones. – Ben Burtt A regular old bull whip crack is good for those over-the-top Street Fighter type punches. – Don Diekneite I’ve used the newspaper rolled up approach in the past and it’s hard to get a satisfying sound out of it. One of my favourites is wet mud, jump up and down, hit it with a bat, add some foliage for extra texture. Rotten fruit is always good for flesh squishes.
The other day I was blending some carrots with a hand blender which created a wonderful consistency, simply pulling out the blender made some lovely squish noises. – Paul Weir If you need some great fight sounds to work from, is worth checking out. I personally like putting things in (cooked) whole chickens and then beating the chicken with a sledge hammer or other bludgeoning device. – Billiam Baker This technique can yield not only bone breaks but also a variety of flesh ripping sfx: Get yourself to the fish market and buy some King Crab legs, the bigger the better. Just experiment with breaking, twisting, smashing, tearing etc and you will start to hear the possibilities.
It’s a great combination of the hard shell breaking with a bit of fleshy sound mixed in. I would suggest a cheap pair of leather gardening gloves as well since the crab legs are a bit prickly in spots and can be hard on the hands without protection. – Seph Lawrence Recently I finished a horror movie where the monster (evil spirit) was spindley and contorted-looking. It looked like an alien with its extra long thin limbs. Ended up using a bunch of different kinds of pasta to capture the different angles and sounds for this creature. I would twist, crush and break, spaghetti, elbow and linguini noodles dry. I would keep some damp (not wet) for closer shots.
Gave a sense of life or fleshy bones. Worked really well. – Rusty Dunn Celery/Carrots/Little Gem Lettuce – try freezing them too. Jacob’s melon – melon with jacob’s cream crackers glued on it. Thin triple sheet plywood left to soak outside in the rain then dried in the sun and torn apart, snapped.
Branch snap + filter? – Ben Minto Breaking inside the body: Manicotti Pasta covered with a rag, close mic, break it slowly so you can really accentuate the crack. – Edward Bauman In addition to your regular mic, try using a contact mic on a slightly resonant surface, such as plywood, and crunch things with your boot. Use the contact mic material for the thick, heavy sweetener. Make sure the crunching items are hard enough to transmit vibration to the plywood.
Walnuts have worked well for me. – Kristoffer Larson Raw corn. Get it with as much of the leafy stuff still on it as possible – good fresh corn. Works great for wet solid punches.
– Coll Anderson I used acorns, small apples and walnuts on wooden parquet surface. – Alexey Menshikov Chris Sweetman told me a good technique for getting a really effective bone breaking noise. Chicken bones in a polystyrene cup, break and snap them together. – Patrick Phelan Crushing plastic drinks machine cups are meant to be good for bones breaking. – Paul Arnold Dried sunflower stalks. -Charles Maynes If you’ve ever wondered how to get the really over the top punch sound-effect like from old kung fu films– Beat the mess out a piece of celery with chopsticks or something similar (close mic’d) and compress it. Whip it good.
Nero 2015 Serial. – Caleb Moore. Put a nail end-to-end in-between your thumb and index-finger and then throw it as hard as you can past the mics. The nail spins and creates a good raw sound to start the design with. Then just apply your favorite effect to give it the bullet sense of speed you desire. – Magnus Walterstad A source of bys is to fire washers or pennies from a slingshot.
For impacts, fire different objects into the hillside. Different objects each have their own aerodynamic properties that contribute to the zip sound.
– Marc Farley Muskets work well because of their cylinder shapes that make them tumble and whistle by they are also sub sonic. – Scott Gershin You can also try subsonic ammo when recording bys/riccos/impacts. There’s no sonic boom.